Knitting Ephemera: a compendium of articles, useful and otherwise, for the edification and amusement of the handknitter by Carol J. Sulcoski
Knitters will likely recognize Sulcoski’s name from her many books and articles, hand-dyed yarns, and speaking and teaching engagements. This is one of those cute little books that makes a great gift and can be enjoyed by dipping in here and there to read one or more of the short entries. These entries are provided in no stated order and include a biography of the patron saint of knitting (oops! there isn’t one, but a few possibilities are detailed), knitting-related world records, a list of knitting acronyms, definitions of yarn color effects terms, facts about knitwear through the ages, and many more. This would be a lovely book for a coffee table, waiting room, or other spot where someone is likely to pick it up for a few minutes and enjoy the facts they happen upon.
Barbara G. Walker’s Knitting from the Top is one of the classics. Many knitters may not even realize how many patterns they use have been influenced by Walker’s work, but her legacy is far-reaching. Many of the patterns I’ve designed myself were influenced by her work without me even being aware of it, as I developed my skills knitting from top-down patterns that could not have existed without Walker. This book celebrates that legacy and offers 24 patterns, two for each of Walker’s templates. Most are sweaters and two are hats. All of the patterns are written and include a schematic with measurements, and charts are included where needed for intarsia or detail sections. A few special techniques are outlined but for the most part, you’ll want to know how to knit before you start one of these projects.
Patterns for six bowls, five boxes, and four vases are included, with a few variations as part of each pattern. They use stiff interfacing (as opposed to clever engineering) to provide the structure of each item, and rely heavily on satin stitch for the seams. This uniformity of construction means that the projects all look fairly similar (the bowls especially seem just barely distinguishable from one another). The boxes would make nice vessels for gifts, but the look of these projects is just not my aesthetic.
These projects are divided into categories of kitchen, office, porch, and bathroom, and include a variety of items made from standard twine or household cotton string. These creations are crocheted, knit, woven, or glued. Instructions for crocheting and knitting are provided in a separate sections, while the other techniques are detailed within the project instructions. All projects have a homespun, earthy quality.
As you have probably gathered, cute things are fully within my area of interest. And you know that the first thing I did with this book was flip through to see if Blythe was included. Good news! She’s first mentioned on page 17, and Klaffke is clearly a fan, too. She writes about finding Blythe forums online, which fed her enthusiasm for the doll. I turned the page and there’s a photo of several of the Blythe enthusiasts I follow! How cool! She goes on to write about meeting up with Blythe folks in her area and the things that make Blythe cute. There are a few short digressions into Forum Drama, which feel a little out of place amidst the book’s general tone of positivity, but mostly it’s about why people love Blythe and other cute things. Throughout the book, short features highlight people who make or collect cute things. The whole thing is really a celebration of cute things and an exploration into why we love them. It was published in 2012, so sadly a lot of the online links included are either gone or out of date (many of the blogs, for example, have been abandoned in the intervening years) but many of them will still lead to further information.
The focus here is on bringing the comforts of the indoors to the outdoors with a very colorful, cozy aesthetic. The DIY projects mostly reuse found objects and range from quite simple to a bit more involved. A number of recipes are scattered throughout along with ideas for gatherings and parties. I was annoyed to see a tipi and racist terminology in the accompanying text, which pretty much ruined this book for me. Not recommended.
I feel like many of us could use some calming in our lives these days – I know that I rely on knitting to take me to a good head space – and what a bonus to produce something at the same time. Lintz offers 40 patterns that are more modern than most commercially available patterns. These are not designed to be cute (though some are in the broad sense of the term) and have a more no-frills look. Most of these designs are monochrome and may benefit from being stitched on fabric in colors other than white. Patterns include flora, fauna, symbols, objects, and words. My favorite design is the rainbow-color word Smile, though I do also love the Bird on a Branch, Flock, Pretty Kitty, Abstract Dandelion, and Bonsai.
Filippi starts off with a history of lawns, concluding with a look at the relatively recent movement toward ecological meadows and other alternatives. Then he moves on to a look at groundcover plants as they grow in the wild all over the world. The next section details a variety of groundcover gardens including those that are walkable, for an alternative that is quite similar to a lawn but without the water or mowing requirements. Many of these groundcovers bloom once a year, so they actually have an added beauty that a lawn does not. Filippi also explores other variations, such as a grassland that features cultivated weeds, flowering steppes, gravel gardens, green plants used to enhance stone surfaces, flowering meadows, and more. The second half of the book provides instructions for preparing the soil, planting, and maintaining these gardens (with a particular focus on reducing the amount of maintenance required as time goes on), followed by a listing of groundcover plants for dry gardens. Color photographs illustrate throughout.
This book is just what the title says: 20 needlepoint patterns (and not a lot more). There is a brief 2-page section listing useful information on materials, how to start, how to read a chart, finishing, and blocking, but otherwise the book assumes that the reader is already experienced in needlepoint and/or is a quick study. The patterns are charted in full color with symbols and are easy to read, though personally I’d prefer it if they had row and column numbers (being a knitter, I’m used to that – I’m not experienced enough in needlepoint to know if it’s the norm there). The patterns are cute (some a little on the country-craftsy side) and feature a range of subjects from flowers to animals to homes and more.
Just as I like to use native plants, I also like to create gardens that fit together naturally, and this book is all about doing that. This type of garden – inspired by those that exist naturally without human intervention – provide such robust habitats for insects and other small wildlife. The large color photographs used here offer a great look at what different plant combinations will look like. I find this especially useful since not everything will be blooming at the same time, so it’s nice to see a garden where some things are blooming, others have already bloomed, and some have not bloomed yet. Hodgson also covers planning and planting how-tos throughout, for a variety of types of sites and plants. There is even a section here on how to use these philosophies in container gardens. Finally, a gallery showcases ideal annuals, biennials, perennials, grasses, sedges, rushes, bulbs, climbers, trees, shrubs, water plants, and bog plants.