Last weekend we went to the Shepherd Maple Syrup Festival to check out the syrup, arts and crafts, and quilt show. I had considered entering a quilt myself, but didn’t get to it in time to make the deadline. Next year!
Odd as it seems, despite having lived in the area for close to 15 years in the 90s and 00s, this was my first time attending this festival. We got some syrup, of course, but skipped the really, really, really long lines for the all-you-can-eat pancake and sausage meal.
The quilt show was small but a nice mix of types of quilts by a few different quilters (some quilters had multiple pieces on display). As usual, I was most interested in the original quilts, but those made from commercial patterns were also very nicely made.
Some of the quilts had been made long ago, in some cases by older or now-deceased relatives of the person who entered the quilt in the show.
This one, which was one of the largest on display (96×68″), was hand-pieced by the owner’s mother, who used fabrics from the owner’s childhood. The dimensional quality of this design is really impressive.
I liked the nature/fantasy subject of this quilt (62×46″) by Carol Griffin. It is called Flower Belles and I suppose one could see the women as just that, but I thought they seemed to be flower fairies. I’ve been reading the Cottage Tales of Beatrix Potter series by Susan Wittig Albert, which has probably put fairies at the forefront of my mind.
I’m interested in portraits and depictions of figures in quilts and this was a nice example of a relatively simple approach that is realistic but still fun.
Another one of my favorites was this dog quilt, titled Moochas Pooches (57×46″).
While of course I would’ve liked it even more if it had included a Boston Terrier, this pug was cute enough to almost make up for it.
The smallest piece (10×8″) on display was this framed fabric art, titled Lake Michigan and made by Carrie Dunn. To make it, she used raw edge applique, a technique that I have been reading a lot about since seeing it used on some of the art quilts in Lenore Crawford’s exhibit at Art Reach in February.
One of my favorites of the day was this horse wall hanging (36×47.5″), pieced by Carol Griffin. I’m not particularly interested in horses as a subject, but the piecing and construction of the quilt caught my eye.
I like the combination of fabrics the artist used, as well as the variety of stitch techniques she used to create the impression of texture and movement.
One thing I found notable was that, with the exception of the tied and vintage or antique quilts, very few of the pieces on display had been quilted by the same person who pieced them. I suppose that most of the folks doing the piecing take their quilt sandwich to a professional machine quilter and pay them to do the machine quilting. I’m not opposed to this on principle, but I definitely feel like, for me, it would take something away from the overall achievement of having completed a quilt. The same is true for using pre-made quilt patterns, as I prefer to make it up myself, or at least make up most of it in the cases where I might use a well-known quilt block design as inspiration. I want to do it all myself! (This is probably why it takes me ages to finish anything.)
One of the things that I was excited to see was the chance to participate in a contest in next year’s show! The challenge is called Spring Fling 15. It cost $1 to sign up, which provided a small piece of fabric that should be incorporated into the entry. The finished piece can be any shape and size as long as the perimeter is between 60 and 100″ total. All the entries will be displayed in next year’s festival and awards will be given for the best representation of the theme, best use of color, and best workmanship in piecing and/or applique. I’m excited to plan my piece.